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contemplative education
course in consciousness
dharma art
dialogue in consciousness
e-books
education
nondual perspectives
retreats
the art of chance
the art
of learning
the transforming mind
what is
this 'nonduality'?
zen arts
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meditations on/in non/dualistic
pedagogy
a non/dualistic relationship to knowledge is
characterized by uncertainty and contingency,
and is necessarily
cultivated through a vitally creative approach.
Abstract
This dissertation is a collection of essays that meditate
upon the concept of non/dual pedagogy. The text is an expression of my
longing to speak beyond the limitations of dualistic pedagogy, in its
diverse forms and locations, and to actively seek out those
non/dualistic pedagogical traits that for so long have been split off,
denigrated and dismissed within dualistic educational systems.
Dualistic pedagogies devalue the body, the spirit, the emotional, the
passionate, the subjective, the intuitive, the non-rational, the
chaotic, and the sacred. My purpose is to go some way to revealing the
richness, vivacity and complexity of non/dualistic pedagogical
experience. As the dualistic organization of pedagogical cultures leads
to the experience of disembodiment, and reinforces other inequalities
such as sexism and racism, this study may be considered both an ethical
and political undertaking.
Paradoxically, the very word "non/dual" infers dualism in
its structure. Thus, I dwell in the hyphenated space between "non" and
"dual," a space of great possibility. This liminal space touches upon
areas that mainstream curriculum theorists consider somewhat impure,
taboo even – including, the erotics of teaching and learning, and the
interrelationships between pedagogy, violence and desire.
This text contains spaces of struggle and resistance as
well as spaces of contemplation and meditation. Although I do explore
non/dualistic pedagogy in formal educational institutions, including
schools, and teacher education and graduate programs, I have chosen to
make forays into other less examined pedagogical sites, meditating on
the pedagogy of Zen arts; the public pedagogy of popular culture; and,
the pedagogy of family. I also muse upon the practice of ritual; the
powerful effect of place on the embodied self; physical and metaphorical
notions of "voice," lived fictions of identity and dis/placement; and,
the interplay between embodiment and dis/embodiment as a legacy of
childhood sexual abuse.
I suggest that non/dualistic knowledge, arising out of
specific locations, contexts, and circumstances is dynamic, generative
and unpredictable, and refuses the convenience of objectification and
the order of stable systems of categorization. Thus, a non/dualistic
relationship to knowledge is characterized by uncertainty and
contingency, and is necessarily cultivated through a vitally creative
approach.
~ Alison Catherine Pryer, 2002
The University of British Columbia
Centre for the Study of Curriculum and Instruction
Thesis submitted for the degree of Doctor of Philosophy.
Read the entire thesis
HERE (highly recommended)
and visit
Educational Insights
to read her story about how mainstream Academe attempted to reject her
thesis:
Cat Got Your Tongue? Escaping Narrative Erasure in Academe
Alison Catherine Pryer was born in London, England, and grew up in the
southwest of Scotland. She has taught in Germany, Japan, and Egypt, and
more recently at the University of British Columbia where she completed
her doctoral studies. Her poems have appeared in numerous scholarly and
literary journals.
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