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Jerry Wennstrom, The Alchemist
8 feet high x 18 inches deep.
The Alchemist has several lighted
chambers—some of which are hidden until revealed by exploration and
interaction with the piece.
There is a lighted red crystal slowly spinning behind a brass chambered
nautilus in the heart area of the piece. In what would be the pubic area
of the Being, there is a bronze door with a 3 dimensional skull cast
into it.
Inside the door is a gas burner. When a fire is lit in this chamber, a
small boiler is heated, which activates a steam engine situated just
below the heart area of the Being. Once the steam engine is running, the
piece comes alive. A small Goddess dances in the compartment where the
steam engine is housed. The exhaust from the steam engine comes steaming
out of the mouth of a carved face in the middle of the art piece. The
steam that condenses into water drips into a brass funnel and is
recycled into the steam boiler.
In the right hand of the Being is a glass crystal. Turning the crystal
opens the upper chamber revealing a carved mask with wild hair. When the
door opens the mask comes out of its chamber, looks around and then
returns to the box. There is a hidden control panel on the side of the
piece with buttons on it. When a button is pushed, the Being does
something that sounds like Tibetan chanting. The sound is made from a
series of 12 buzzers placed in sets of 2 that run the full length of the
piece. The buzzers go off in sequence up and down the length of the box.
Because of the overall “V” shape of the piece the buzzers resonate at a
slightly different pitch in the different areas of the box.

The Inspired Heart:
An Artist's Journey
of Transformation
Jerry Wennstrom
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jerry wennstrom
the way of trust and
transformation
In 1979, Jerry Wennstrom destroyed all the art he had
created, gave everything he owned away, and began a new life. He sensed
an inner and outer world in perfect order and became a willing
participant in that order - he leaped into the void, the ultimate
creative act.
Wennstrom's wish was to open to the energy of life itself. In releasing
the structure of daily habits and routines, he learned to trust and
appreciate the significance of each moment. This entailed relying on
intuition, listening keenly to the deeper nature of feelings, and wisely
observing the ways in which our inner world reflects the outer, and vice
versa.
~
My only intent as an artist is to remain open to what
comes through the spirit of the moment, hopefully without bias. My
creative/spiritual journey has been about personal and collective
transformation. The most effective means to this end has been to remain
as fearlessly present as possible. Generally speaking, some of the more
powerful breakthroughs have come to me through questioning and facing
personal/collective fears. Naturally, the essence of this exploration is
reflected in the overall expression of my artwork.
If an artist’s intent does anything more than hint at the ineffable,
the work is reduced to what Joseph Campbell calls “propaganda” (art with
an agenda.) What inspires, liberates and empowers the artist will do the
same for the world - if the artist has risked everything for one
radically, creative breakthrough. To do this, one has to face a level of
fear and loneliness so large and culturally ingrained that the risk
would deliver either everything or less than nothing! For us to
experience liberation, on any front, this same, fearless confrontation
with the Mystery is required.
A mature creative life, which has discovered its source, finds it is
linked to everything. When we are able to tap this source and
link the illumined threads, we no longer want to live our creative lives
separate from it. A creation that does not have the residual glow of its
source can, at best, only sound a deathly rattle – however impressive
that rattle may be.
Source:
thehandsofalchemy website
and
jerry wennstrom's blog
artisans
meditation
nonduality
on creativity
seeing without shadows
the eyeless eye
the wonder of wonder
artisans' gallery
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