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Paul Cézanne, Mont Sainte-Victoire
(1902-04)
Philadelphia Museum of Art, George W Elkins Collection
The Landscape becomes reflective, human, and thinks itself though me.
I make it an object, let it project itself and endure within my painting ...
I become the subjective consciousness of the landscape,
and my painting becomes its objective consciousness.
A minute in the world's life passes!
To paint it in its reality, and
forget everything for that!
To become that minute, to be the sensitive
plate ...
give the image of what we see, forgetting everything
that has
happened before our time.

Conversations with Cézanne
Michael Doran
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paul cézanne
he
was the father of us all
Pablo Picasso
Let us try to free our minds ...
When I start thinking,
everything's lost.
I am the primitive of the method I have invented.
Get to the heart of what is before you!
The day is coming when a single carrot,
freshly observed,
will set off a revolution.
The truth is in nature, and I shall prove it.
It's so fine and yet so terrible to
stand in front of a blank canvas.
I could paint for a hundred years, a
thousand years without stopping
and I would still feel as though I knew nothing.
Painting from nature is not copying the object; it is
realizing one's sensations.
Here, on the river's verge, I could be
busy for months without changing my place,
simply leaning a little more
to right or left.
Pure drawing is an abstraction.
Drawing
and colour are not distinct, everything in nature is coloured.
Fruits ... like
having their portrait painted.
They seem to sit there and ask your
forgiveness for fading.
Their thought is given off with their perfumes.
They come with all their scents, they speak of the fields they have
left,
the rain which has nourished them, the daybreaks they have seen.
I want to die
painting.
For more about nondual understanding and Cézanne
see
Rupert Spira's essay,
nature's eternity
and
David Bohm, Paul Cézanne
and Creativity
by
F David Peat
artisans
nonduality
seeing
without shadows
the
eyeless eye
artisans' gallery
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